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AGT’s Second Night of Performances

Turf

America’s Got Talent has provided its viewers with a selection of acts that basically asks America to go with the lesser of 48 evils. This isn’t to say that some of  the acts aren’t good at times, but this is a season with many subpar acts. Even a lot of the ones the judges think are good will never be worthy of a Vegas show. This season’s highest quality should be considered mediocre television. Once again, it’s hard to say whether four acts actually deserved to advance. America will just have to take it as it is and realize those are the rules.

Lion DanceMe
Lion DanceMe act consisted of  the performers dressed in their lion costumes jumping in between platforms. This is supposed to be a cross between a dance act and a danger act. There was neither. This act did not deserve to make it past Vegas. As the judges said, their act seems the same every performance. The platforms might have been a little higher and there might have even been less dancing. That makes the act only slightly better in one aspect and much worse in another. In the package beforehand, Sharon said she loved the element of danger. When considering the danger acts, it is incredibly unfortunate that any other truly dangerous act is put into the same category as Lion DanceMe. Howie got bored watching the performance as did I. Both Howard and Sharon were constructive, but it’s not worth it. Lion DanceMe does not really belong on the national stage.

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AGT Results Recap: Tuesday July 3

The CMYKs’ Monday Performance

A less-than-stellar crop of acts were facing elimination on last night’s results edition of America’s Got Talent. This whole season has been a disappointment and the performances are not really getting better. Even though four of the 12 acts were advancing, it seemed not even four of them deserved it. Once again, an average act looks fantastic against relatively poor competition. This continues to be the case this season.

The first result featured Michael Nejad, Shanice and Maurice, and Nikki Jensen. It really wasn’t hard to know that Shanice and Maurice would be the ones making it to the Top 24. They were clearly the best of out the three. However, that says very little about their actual talent. They were adequate on a night when Jensen’s singing went downhill and Nejad was horrible. They got lucky this time.

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AGT’s First Night of Live Performances: How did they Stack Up?

Edon

America’s Got Talent began its live shows last night and there really wasn’t much to be excited about. This season has clearly been a disappointment. Subpar talent got through Vegas and is now performing for America’s vote. Some of the acts were mildly entertaining, but I don’t know if four of them deserve to go through. Acts that would face a tough elimination against serious talent in past seasons are now simply the best of the mediocre. The show opened with an unnecessary half hour “countdown” with audition footage and outtakes. It served to remind the viewer just how lackluster this season has been. The performances didn’t start until 9pm.

Distinguished Men of Brass
The group performed a marching band style rendition of “Crazy In Love.” Once again, they were sloppy and disorganized. Howie said they had to take it beyond a marching band or a halftime show. Unfortunately for them, the act is pretty much a marching band and not much more. There is no way they can win the competition and I’m surprised they got through Vegas. Then again, the selection in Vegas was never good anyway.  This act is not horrible enough to eliminate, but the competition is probably over for them.

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AGT’s Second Night in Vegas

Tom Cotter

I was really not looking forward to Tuesday’s America’s Got Talent. After a very disappointing showing on Monday, I didn’t really have any expectation that it would get better. Fortunately, I was wrong. Tuesdays performances were not great, but it was a considerable improvement compared to these awful last few weeks.

The show opened with the magic category. First up was mind reader Eric Dittelman. He was entertaining in his initial audition, but also very intimate. His act seemed a bit small for Vegas. It still might be. As the judges agreed, he’s not a great showman. Nonetheless, overall he was impressive. At this point, the show was already far better than the first night in Vegas. Next up was one of my favorite acts, escape artist Nate Horseman. He was a bit better in his initial audition, but watching him escape from a glass box underwater was still exciting to watch. On the plus side, there might have been higher risk for serious damage, but escaping from a straightjacket is still more exciting. Both Dittelman and Horseman will get a chance to further prove themselves in New York.

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AGT’s First Night in Vegas

Archer Ben Blaque

America’s Got Talent began Vegas Week last night and there really was no reason to be optimistic about this season. It has been a disappointment. There have been many acts that were terrible and not even remotely entertaining. Most of the acts that made it through to Vegas were only average.

The hour opened with the crowd of acts scrambling as they were told that they would be split into three groups: the judge’s favorites, the standbys, and those who weren’t on either list. The acts in the last group would not perform in Vegas and would either be sent home right away or sent straight to the New York rounds. This was very repetitive, as the acts were shown on camera all saying basically the same thing that they had a good performance at the auditions and they hope they make it through. This did not hold my attention at all and the time could’ve been used to give the acts more screen time.

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America’s Got Talent’s Final Disappointing Audition Show

Liliana

As a lackluster audition season comes to a close, Monday’s episode of America’s Got Talent needed to leave a great impression. This was no time for awful acts that deserved to be laughed off the stage. This was no time for forgettable acts that would never be heard from again. This episode needed to find possible winners. Unfortunately, as soon as the show opened with an act featuring a pig, this night seemed doomed. It didn’t get much better afterwards.

The opening feature package showed a woman excited to show the world her pig’s talent. I could not imagine any talent that this act would show. As it turns out, the pig didn’t really have a talent. She ran into bowling pins seemingly accidentally and squeaked what looked like a bicycle horn with her mouth. The judges didn’t understand it and promptly rejected it. Of course, it wasn’t worth being shown on television at all, so AGT was continuing a problem it has had all season.

Both the “No” and the “Yes” montages that followed were just as forgettable. An average singer, some dance groups, and some acts that weren’t made clear got voted through to Vegas. Some bad singers and more variety acts that could never hold anyone’s attention were rejected from going to the next round. The montage sections of the show has been a constant disappointment throughout the auditions. They are supposed to give the viewer a sense of the talent and lack of talent that was found in various cities. They could never do that in two minutes. The montages just ended up being unnecessary parts of each hour.

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Tampa Bay’s Not So Hot for America’s Got Talent

Big Barry posing with Howard Stern

America’s Got Talent has gotten a lot of coverage lately after the Tim Poe controversy, but I was just hoping to see some quality or at least memorable acts on Tuesday’s show. After all, it’s what the show should be known for.  Whether it’s showcasing the true idiots of the world or actually finding unique undiscovered talent, the show has failed to do either many times this season. Tuesday was another disappointment.

The second Tampa Bay Episode opened with a Latin dance crew called The Untouchables, which is made up of kids ranging from ages 8-13. It was obvious that the group would make it through, for the simple fact that they’re kids with high energy that can be endearing.  It’s also horribly boring. There is almost never a large dance act that isn’t reasonably coordinated and refined. It is not good for the viewer to know who goes through in advance. It would have been a little better if the performance was great, but it wasn’t. It was average. The show is at its best when it showcases the superior and the atrocious. This was neither.

The  montages, both successful and unsuccessful, also were not anything exciting. Granted, these are the acts deemed unworthy of a viewer’s full attention, but that shouldn’t lend itself to inadequacy and boredom. A singer with an okay voice, a dancing duo,  an illusionist get sent to Las Vegas. A singer with a slightly worse voice and some variety acts whose talents are unclear do not move to the next round. They’re all basically the same. The people voted through will probably not be seen again. The people who were rejected won’t get talked about again. It just seems like an elaborate time filler.

Another act featured was a squirrel that water skis.  Some animal novelty acts can be fun and entertaining. This one certainly wasn’t. As Sharon and Howard agreed, it is nowhere near big enough for a Vegas show. Howie disagreed only out of curiosity to see the act do better in Vegas. It honestly would have been more entertaining to watch the squirrel go too fast around the pool and fall multiple times. That would have been worth a proper and unequivocal rejection. Instead, the squirrel technically succeeded with the act. It just wasn’t good. This act was not good enough to be considered a worthy talent. It was not horrible enough to be considered a hopeless excuse for entertainment. If it does not fit either of those, it isn’t worthy of being aired at all.

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America’s Got Talent Goes Goth

Andrew De Leon

Last night America’s Got Talent was a little light on the entertainment again. NBC is killing the show. Each week, viewers only get two hours of new acts followed by several repeats throughout the week. In the past, we saw three to four hours of new acts and they were repeated once. It doesn’t help that each hour only has 5 full performances and four short ones mixed in with a bunch of boring montages consisting of people kissing or people with pets or some other boring activity the producers think will make the audience go “awwwww.”

On Tuesday, AGT was still in Austin. I think this is the first week NBC has aired both parts of a city’s auditions back to back, which helped with understanding Howie Mandel, Sharon Osbourne, and Howard Stern in the Snapple Chat.

The first act was the Aurora Light Painters. They painted with light. I really don’t know how to describe what they did without being captain obvious. The Aurora Light Painters somehow manipulated light and took advantage of a cameras light sensitivity to put on an interesting show. It wasn’t one of my favorites, but the judges loved it. (If anyone knows how the Aurora Light Painters performance works, please leave a comment. My head hurts just trying to figure it out.)

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America’s Got Talent Goes to Austin

America’s Got Talent held auditions Austin, Texas. The first thing that struck me was that there were very few dance acts and that this season seems to be more positive than past ones.

Sebastian De la Cruz and his mariachi band were the first act of the night. Despite only being 10-years-old, De la Cruz was charming and a perfect gentleman as well as extremely talented. He also dressed the part, which only added to his preciousness. (Seriously, the number of times Sharon Osbourne and the Internet have used that word to describe De la Cruz is not going to do him any favors in high school.)

Time for the bad act montage! That would be great if any of the acts were remotely memorable. There was a sideshow act, which I barely remember because all sideshow acts make me sick. Well, except this one. The Tinderbox Circus Sideshow appeared to solely exist so that the members can staple paper to each others chests. It was very tame compared to the sideshow from earlier in the season that had one of its members pick up a brick with his eye sockets.

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America’s Got Talent Visits St. Louis

Issac Brian Brown

Issac Brian Brown

I had some faith that Tuesday’s episode of AGT would be better than Monday night’s, simply because the odds are they would start to find better talent. I was mostly right. They had never visited St. Louis prior to this season, which sort of surprised me. Regardless, St. Louis’ first audition show two weeks ago was also a good showing. It makes some sense that this show would be good too.

America’s Got Talent begins every episode with a feature story. It’s normally a tossup as to whether it would be a terrible act that happens to be entertaining or an act of genuine talent. When “Imagination” from “Willy Wonka and the Chocolate Factory” started playing at the beginning of the guy’s feature, I knew that this wasn’t going to be a good act. When the contestant said he was a puppeteer, I was positive it wasn’t going to be good. Aside from the fact that this type of act is immensely unlikely to be worthy of 1 million dollars, the viewer quickly discovered he wasn’t even a good puppeteer. Nick Cannon promptly turned to the camera with a sock puppet in his hand and said, “I’m a better puppeteer than this dude.” Despite the complete lack of potential this act had, I was still entertained. The contestant had very high energy and the judges’ spirits seemed very high. This was going to be a captivating hour.

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