Was “The Sacred Taking” American Horror Story’s weakest episode of the season? Probably, but given how strong Coven has been this season, the weak link still held its own. It felt a little jumbled, but it certainly helped set up the series’ five remaining episodes and next week’s last new episode until 2014. Let’s take a look at what went down.
The episode opened with what I initially thought was a flashback. Queenie is wandering around a shoddy area late at night and completely alone – until she’s approached by a man who threatens her with rape and murder. Our girl is scared, but not for long. She picks up a board with several nails pushed clean through and jabs it into her hand, incapacitating and confusing the man long enough for her to overpower him. She’s stopped, though, as Zoe and Madison show up. This was also the moment I realized that this was a present-day incident and not one that took place in Detroit. They want her to come back to Miss Robichaux’s, but Queenie is on a mission. Her encounter with the homeless man was no accident. Marie Laveau sent her out in pursuit of an evil heart, and this man just happens to have raped a number of young girls. The heart is an ingredient in a potion Marie is supposedly brewing to make Queenie a stronger voudon, something Queenie suggests Fiona would never do for the other witches. She’s right, as Fiona is wont to do pretty much the opposite. Queenie cuts the man’s heart out and holds it up, still beating, as she lets the girls know this town ain’t big enough for the both of them. It’s war.
I watched the most recent episode of American Horror Story: Coven, “The Replacements,” about an hour after it aired. Prior to that, I noticed several Facebook/Twitter/what-have-you posts that all echoed the same sentiment: “WTF did I just watch?!” So I prepared myself for a doozy and settled in to watch. Everything seemed relatively normal and I thought, “Hmm, this isn’t so bad,” but halfway through the episode, the freakout began.
Kyle is back at home after Zoe moved him from the second coming of Stevie Nicks’ cabin to his own home where she felt he’d heal better under his mother’s care. Misty, undoubtedly lonely in the woods, grew attached to Kyle and is not totally ready for him to leave, but Zoe takes him anyway. Back at Kyle’s, Mommie Dearest greets him in bed. Earlier, she walked in on him in the shower and noticed his new body parts. Wait, did she just glance down south? Back in the bed, she kisses him and kisses him some more and OH MY GOD THIS IS TOTALLY INAPPROPRIATE. SHE’S REACHING UNDER THE COVERS. OH. OKAY. So, Kyle’s mom has been sexually abusing him for an undisclosed amount of time, which is something Zoe might have known had she actually, you know, known him. This continues later on in the episode, giving us Kyle’s first words since his resurrection: he screams “No” over and over again while beating his mom’s face in with an old trophy.
This week’s episode of American Horror Story: Coven opened up against a classic Louisiana landscape: the bayou. Two poachers hunting gators are hauling a catch up to their camp when they noticed a woman we know as (the recently burned-at-the-stake) Misty Day wandering around. As Stevie Nicks’ “Edge of Seventeen” served as the background music, Day, looking very Nicks-ish herself (more on that later), examines several of their previous kills and lets the hunters know how she feels about their hobby. Given her power of resurrection, it was easy to see where this was going. She brings all of the gators back to life, and they decimate the two men, guilty of murdering innocent creatures for their own personal gain. When we last saw Misty, she was called a necromancer and burned by her God-fearing peers. Now, she’s mentally and physically reborn.
Back at the school, Cordelia gets the girls up and ready for the day. Zoe is still mourning Kyle, but Madison feels he’s just as guilty as his fraternity brothers. Zoe can’t accept that, but Madison assures her he would have died anyway because of Zoe’s power. Fiona, meanwhile, has Madame LaLaurie tied up and gagged in her room. Fiona warns her not to scream, but of course she does. I’m still not exactly sure what she thought this would accomplish. She obviously wants to be helped, but I’d imagine it would be difficult for someone who’s been buried alive for 180 years to navigate the present.