Thursday’s AGT was the last result show of the season before the winner is revealed next week and, even though it was everyone’s last shot at the finals, there wasn’t much drama. The results were pretty obvious. As with last week, the Top 4 acts were revealed before three of them advanced.
The first result was between Shanice and Maurice Hayes, Lightwire Theater, and All That! None of these three acts are worthy of winning the competition, but Lightwire Theater was the best choice in terms of originality. They got the first of the Top 4 spots.
The next group was Sebastien “El Charro De Oro,” David Garibaldi And His CMYK’s, and Jacob Williams. Both Williams and Sebastien have a future in performing, but they are not currently ready for a national audience. Garribaldi is ready and deserved a spot as one of the Top 4 acts. Performance painting is a talent that the show has never seen before. AGT was lucky to find this mesmerizing act.
The remaining semifinal acts on America’s Got Talent could not afford to simply have an average performance night on Tuesday. However, most of them did not stand out. It’s been a disappointing season for AGT, but one that paradoxically has led viewers to the most exciting final round in the show’s history. The best talent came from the first semifinal round, some of whom did not deserve to be eliminated. Even so, there are a few acts from Tuesday’s show that deserve a spot in the finals.
All That! has narrowly escaped elimination twice, but they are out of luck this time. Strangely enough, Tuesday’s performance might have been their best. That being said, the performance was still enjoyable. It was nice to see the clogging group take a risk by including solos and incorporating fire into their act. However, All That! just isn’t good enough for Vegas.
Sebastien “El Charro de Oro”
Sebastien “El Charro de Oro” has been in the competition for far too long. He is a decent singer, but not great. His main draw is that he is charming and mature. His talent is not exactly common, but it’s still average. Sebastien’s mariachi performances have never been something that is worthy of national attention. His time in the competition is over.
Tuesday night’s wildcard edition of America’s Got Talent was one of the few times this season that the show wasn’t a complete disappointment. The talent wasn’t overwhelming, but at least the night had a more competitive atmosphere. The results were not completely obvious, but there were some clear standouts who seemed destined to take spots. It would have been a perfectly adequate week, if America voted correctly. Instead, Wednesday’s results show was a letdown.
The first result was between Ben Blaque, Sebastian “El Charro De Orro,” and the Bandbaz Brothers. None of these acts completely deserved to advance, but they all had the same basic skill levels as performers. That being said, it wasn’t surprising that Sebastian made it through to the semifinals. He won’t win the competition, but he is reasonably talented.
After Sebastian advanced, it was time for a performance by the cast of a Broadway musical version of Bring It On. The performance was average. It certainly wasn’t amazing, but it was a good time filler.
America’s Got Talent has been filled with disappointment this season, so on a show where the judges bring back 12 eliminated acts, it seems logical that this would be the worse show yet. Strangely, it wasn’t. There were still some sub-par acts, but Tuesday’s wildcard show was a good night overall. It was a shot at redemption and some of the acts made their case quite well. Fortunately, no act was a complete waste of time unlike previous nights.
Spencer Horsman is an escape artist, who was extremely disappointing in his quaterfinal performance. He was behind a blank screen performing his escape, so the audience could not see what was happening. Clearly, he had more potential, so Howard brought him back. Horsman showed his potential this time and has proven himself to be a fantastic act. This time he trapped himself in a glass box and filled it with an excessive amount of wet cement. He was attempting to escape the box before he buried himself alive. He was able to keep the crowd on the edge of their seat because the danger level was higher than ever before. Horsman will be back. Howard made the right decision to reinstate him.
Despite the limited success in showcasing true talent on AGT this season, Tuesday night was obviously the best performance night in the quarterfinal rounds. It’s a great thing that America got to see some talent, but it’s a problem when it happens so rarely on a show called America’s Got Talent.
The first result was between Ulysses, Olate Dogs, and David “The Bullet” Smith. While Smith and Olate Dogs have genuine skill, Ulysses is nothing special because most people who have heard television theme songs are able to badly mimic them. His act has never been worthy of a live performance. As for Smith, a human cannonball act may be scary and dangerous, but it is not suitable for Vegas. Out of the three acts, Olate Dogs advanced to the semifinals, which they deserved. These dogs are truly unique and their trainers work extremely hard to get them to a level far above other animal acts.
The 36 acts that have performed during the live shows on America’s Got Talent have been disappointing to say the least. A lot of terrible acts have been through to the Top 48 and even some of the acts that have made it through to the semifinals did not deserve it. I have said from the very beginning that the judges did not find 48 talented acts. They followed protocol anyway. That is, until last night. Tuesday’s show proved two things: some people in America have talent and also that putting them against other people who do not is a bad idea.
David “The Bullet” Smith
There’s no question that David “The Bullet” has a unique ability. However, watching him fly through the air out of a cannon ball can only be done so many times. He got shot out of a cannon ball and landed on a net, just like he did in his audition. There’s no way this could sustain itself as a Vegas show. It’s just one of the acts that could be seen at the circus. Risking one’s life for the public’s amusement has been part of American culture for a long time, but it can get boring.