Category Archives: Primetime
‘Dancing With The Stars’: Dancing Through The Years
Last night on Dancing with the Stars, everyone was on top of their game, which made for a very entertaining show. Not only were the dances beautiful to watch, but they had a great story behind it.
Christina Milian chose 2010 to be her most memorable year because of the the highs and lows that came with it. She gave birth to her daughter and also got a divorce the same time. Her dancing the cha cha was very entertaining to watch because her footwork and technique were on point. Carrie Ann and Bruno gave Christina 9s, but Len gave her the first 10 of the season, which gave her a score of 28 out of 30.
Jack Osbourne’s most memorable year was 2012 because he married his wife, had a daughter, and two weeks later was diagnosed with MS. Dedicating his waltz to his wife and daughter was a truly beautiful moment. The interaction between him and his dance partner, Cheryl, was very moving to see. Carrie Ann said it best “you took my breath away.” The judges gave Jack all 9s across the board, totaling a 27 out of 30.
‘Mom’: “Loathing and Tube Socks” Review
Believe it or not, Mom is the best new sitcom. To be honest, I didn’t have high hopes for the show and really thought it would be cancelled at this point. Well, I was wrong. Shows that I had much higher hopes for, such as We Are Men and The Michael J. Fox Show, have either crashed and burned or their cancellation is only a matter of time. Mom has improved. Stepping back from the show and not reviewing it for a week has made me see that.
In “Loathing and Tube Socks,” Christy comes to terms with the fact that she is the problem in her life, which is only slightly the case. Christy’s attitude doesn’t help matters, but how would you feel if your teenage daughter was pregnant and your mother would make you her fall guy? Granted, Bonnie only made her daughter the fall guy in Christy’s dream, which had them smuggling drugs from Mexico. However, it was clearly a little too real for Christy. Christy even called her mother to yell at her. Bonnie didn’t take to well to this, but Bonnie has little more than a superficial love for her daughter and thinks she’s a crazy person.
‘Hello Ladies’: “The Date” Review
Hello Ladies is tiresome. All the characters are pathetic. It’s no longer funny.
Out of all the characters, Stuart Pritchard is the worst. Stuart thinks he’s a player, but he doesn’t even know when a woman is hitting on him. When Jessica does point it out, Stuart awkwardly tries to act cool, which demonstrates exactly how uncool he is, yet sometimes he gets the girl. “The Date” had him ask a girl from his gym’s smoothie bar appear clearly interested in him, but Stuart thinks she’s just making fun of his Britishness because she says things like “top of the morning to you” and “cheerio.” Once Stuart understands the situation, he ends up knocking over all the drinks in the refrigerator. In his head, leaning against the fridge is cool. Everyone else knows attempting to look cool only makes you look clueless.
‘Sean Saves the World’: “Busted” Review
Sean Saves the World’s second episode, “Busted,” is much better than the pilot. The writers still appear to be behind the times because this episode makes a big deal about Sean’s daughter’s first bra. With the exception of Sean being a gay father, the show could have taken place in the 1980s.
The entire episode revolved around Sean’s daughter, Ellie (Samantha Isler), trying to find the perfect first bra. Since her mother isn’t around, Grandma Lorna (Linda Lavin) and older sister figure Liz (Megan Hilty) both want to take Ellie bra shopping. Let the wacky antics begin!
Liz takes Ellie shopping first. Liz doesn’t realize that Ellie is a sensible 14-year-old. All Ellie wants is something to keep her breasts from jiggling. However, Liz has other plans. She even asks Ellie, “Are you sexually active? Do you want to be?” It’s a little disturbing that Liz wants Ellie to sleep around like she did. After browsing the store, Liz buys Ellie a bunch of sexy bras and a piece of lingerie, which Sean doesn’t have a problem with because Ellie makes it clear she is unhappy with Liz’s choices.
It’s Raining Dead! ‘The Walking Dead’ Returns
Spoilers (show, video game, and comics) ahead, you’ve been warned.
The Walking Dead kicked off its fourth season last night. After a sleeper third season finale, fans were hoping for an amazing premiere. The episode “30 Days Without An Accident” shuffled its way along. It spent the whole episode building up the rest of the season. Not that it’s entirely a bad thing, since that’s what premiere episodes are supposed to do.
Most importantly, the group is quickly going to discover a whole new problem. This time, it isn’t a horde of walkers or a gang of crazy survivors. Not yet, at least. It seems that the animals are finally being infected. Whether it’s by the same infection or a whole new strain has yet to be determined. It started with one of the newer group members (aka walker food) thanking Daryl for the deer he hunted earlier. By the end of the episode, he mysteriously turns into a walker. Throughout the episode, Rick noticed that there were some sick animals in and around the prison. Hershel had stated that they have enough food to feed all of the people in the prison. Well, not anymore.
‘Glee’: “The Quarterback”
A box of tissues and a pint of ice-cream were certainly needed for last night’s tribute to Glee’s Finn Hudson. What’s great about the episode is that the creators wanted to celebrate Finn’s life. Finn was a true leader in the glee club and a true quarterback hence the title. Millions of fans have idolized him since day one. No one will ever forget him singing in the shower to “Can’t Fight This Feeling Anymore” or performing his first routine to Journey’s “Don’t Stop Believing.” Not only was his death so sudden, but Cory Monteith/Finn Hudson had so much potential. Having “Glee” been his big break, all his fans were hoping to see him pursue other adventures. We grew up with the character and felt like he could have easily been a friend to us all. By keeping Cory’s memory alive, all the proceeds of the songs played will go to Cory’s charities of choice.
Within the first five minutes, emotions rose quickly. The New Directions begin singing a beautiful rendition of “Seasons of Love.” What made the episode even more moving was seeing some of the original cast members come back and support their Glee family. Once they look behind the stage, they see a picture of Finn in his quarterback uniform. Soon after, the glee graphic automatically came up on the screen, the creators replaced the letter “L” with a black and white silhouette of Finn from episode one. He was performing “Don’t Stop Believing” in season one. If that didn’t start the waterworks, I don’t know what will.
American Horror Story: Coven’s Promising Premiere
After American Horror Story’s disjointed, cluttered second season, I wasn’t too sure I’d be back for season three. It took such a nosedive after a stellar inaugural season that I didn’t think recovery was possible. I changed my mind with the release of each 15ish-second preview and after the cast was announced. It looked creepy, fresh, and fierce – and it acted the part in “Bitchcraft,” the premiere episode.
The show opens in 1834 New Orleans. Madame Delphine LaLaurie (Kathy Bates) hosts some kind of formal gathering in her home. Once all of her guests leave, she heads upstairs to start her nightly beauty routine: rubbing a mixture of blood and a human pancreas on her face like any self-respecting woman would. She’s disrupted, though, when she learns that her daughter was found copulating with a servant. Furious, she has him taken to the attic, where slaves are kept in crates in various states of torture; one man’s eyes and mouth are sewn shut, a woman’s skin has been peeled from her face. Delphine has a child bring in a bull’s head, which she puts over the slave’s like a mask because she’s “always loved the minotaur.” Later, she receives a visit from Marie Laveau (Angela Bassett), a priestess claiming to have a potion for Delphine that will curb her husband’s craving for younger women. She gladly takes it but soon discovers it’s poison. Marie sought revenge against Delphine, as her lover was the one who was fitted with a new head. Delphine died, and her body was never found.
‘We Are Men’: “We Are Dognappers Review”
We Are Men is probably going to be cancelled soon. The show is only mildly entertaining, which is never a good sign.
Two of the four main characters, Frank Russo (Tony Shalhoub) and Stuart Strickland (Jerry O’Connell), are total morons, who show few signs of character development. Frank’s aging Casanova ways show no signs of stopping. If anything, Stuart looks up to him and wants to live the same way. Frank still parties like a college student. His idea of a good party is one you can’t remember, which is why he loves Tiki Night. Stuart goes along with it as long as his second ex-wife, Amy, isn’t busy trying to empty his bank account.
It’s clear that Frank leads the group. In the episode “We Are Dognappers,” Stuart has the chance to finalize his divorce as long as he’s willing to give his ex-wife his dog, which he has had longer than his wife. Stuart gives in, but finds out that his wife ignores the dog. Frank’s solution is to have the group steal the dog. For some reason, the entire group agrees to this idea. Even Gil Bartis and Carter Thomas, who are the sane ones, don’t bring up the myriad of problems with this solution. Grown men try to go threw with a plot that a thirteen year old wouldn’t do because it’s stupid.
Satisfied is an Understatement for Breaking Bad Finale
After just over a week’s worth of reflection, my mind hasn’t changed. I still think the Breaking Bad finale was perfect, and I’m hardly alone. It was tight (TIGHT. Tight.), concise, and exactly what we needed. This show has never been about broad, unanswered questions or making a spectacle of itself. It was about as realistic as a show centered around a dying chemistry teacher’s meth empire could get. It had its share of over-the-top moments – Gus straightening his tie with half of a face, hydrofluoric acid and an assortment of body parts burning through a bathtub – but they took away nothing from the plot. Gilligan did the inevitable, tying up every loose end in the process, and presented it in a nice, neat package wrapped with a crystal blue bow.
And there has still been some blowback. Some felt it was boring and too orderly, others felt that not enough happened. Some went out of the way to craft intricate alternate theories, like Norm MacDonald’s “Walt died in the car” idea. The problem with things likes this is that they discredit the creator’s intentions. MacDonald’s theory is implausible not because of facts, but because it directly contradicts the show’s structure. It has never been vague or open-ended. Before “Felina” aired, it felt almost impossible to hear about the episode without mentions of shows like LOST in the same breath. The two shows had brilliant endings, but they were vastly different and appropriate for their respective genres. There’s no reason to combine the two because a flexible LOST-like ending would never work for a show like Breaking Bad.
For me, there’s nothing more satisfying television-wise than seeing something come full-circle. Nods to early episodes and closed plotlines fill me with so much (probably too much) joy. Maybe Walt blamed Gretchen and Elliot for much of this mess. We don’t know exactly what happened with him and Gray Matter, but something tells me he likely wouldn’t have had to pursue drug manufacturing to pay his medical bills and take care of his family if he were as wealthy as the Schwartzes. So to him, paying them a visit before the final showdown was his way of attacking the root of the problem, even though he didn’t hurt them – nor did he ever intend to. The show’s last scene was even more gratifying. He’s in a lab, probably thinking about how it pales in comparison to their previous workspaces, and he leaves a bloody handprint on a piece of equipment, a physical component of himself left on something that used to be his livelihood. All of this on top of Jesse escaping, Walt admitting that he wasn’t in it solely for his family, and the total destruction of some of the baddest bad guys we know, made it the perfect ending to a perfect show.
We may not ever experience a television show like this again. I’m honestly okay with that. Breaking Bad completely altered the way I look at television, films, books. It set a new precedent for other writers, other creators, and they’re constantly going to be upping their standards to catch up to it. I miss it already.
‘Dancing With The Stars’: Julianne’s Back
Within the first five minutes of last night’s Dancing with the Stars, the professional dancers were introducing guest judge Julianne Hough, who is a two time champion of the show. She was on the show last night to her new film Paradise and fill in for Len Goodman. Julianne mentioned that she is on the dancers’ side and wants to see everyone succeed. So when she gives a constructive criticism, she does it out of love.
Jack Osbourne danced the quickstep. The quickstep requires a lot of sprinting and its physically taxing on your body. He did pretty well throughout the routine and kept the energy in tact. The footwork seemed to be very polished and on point. Julianne said “Wow, that’s a definite improvement from last week.” The only critique she had for Jack is that he needs to showcase him having more fun. When he dances, he probably thinks way too hard about the dance steps and the counting aspect. Bruno was in love with Jack’s footwork, but in the end was starting to lose his frame. Carrie Ann thought Jack was more animated this week than last week which is a good sign. The judges all agreed and gave him 8s across the board. For this week, Jack scored a 24 out of 30.
Wait! What's A Dial? 